Whirlwind Romance

Now available from Unsung Stories.

‘Sam Thompson’s stories are dark and tender and brilliantly strange. A bold and impressive collection.’ – Alison Moore, author of Man Booker-shortlisted The Lighthouse

‘A unique voice. Grave, evocative, deeply compelling. Stand out story ‘The Red Song’ is extraordinary, replete with touches of Kafka, Borges and Aickman. It’s superb.’ – Jeremy Dyson, co-creator of Ghost Stories and The League of Gentlemen

‘Stories for our time, by a skilful, gifted writer remarkably good at deceptively simple opening lines. Let them draw you in.’ – Nicholas Royle, editor of Best British Short Stories

‘Sharp as a scalpel, tender as a kiss. Sam Thompson’s work is superlative. Each story in this remarkable collection hovers in the mind like a spectre long after reading, somewhere between fiction and deep truth.’ – Helen Marshall, author of The Migration

‘A collection that moves almost effortlessly from the fantastic to the realistic and back again, in a way that feels seamless and necessary and human. These are beautifully written stories that are easy to fall deeply into. One gets the impression that Thompson lives with one foot in the world we know and one foot in a stranger, more resonant world – and lives in a way that lets him glimpse the magic in the grimly real, and vice versa.’ – Brian Evenson, author of Song for the Unraveling of the World

‘These stories are written with astringent precision; Thompson’s prose is sharp, clarifying, revelatory even.’ – Naomi Booth, author of Sealed

Wolfstongue

A lyrical fable about the power of language and the relationship between humans and the natural world.

‘What an astonishing work Wolfstongue is by Sam Thompson. One of the most extraordinary children’s books I’ve ever read.’ – Anthony McGowan, Carnegie Medal-winning author of Lark

‘[Wolfstongue] has all the makings of a modern classic with its exhilarating mix of ancient fable and contemporary issues… Not since Watership Down have animal dynamics felt so true and the political undertones so live’ – Alex O’Connell, The Times

‘The writing raises this to classic status… Gripping and profound, Wolfstongue may be for children but it is about being human’ – Amanda Craig, New Statesman